1

Art Randolph was having the time of his life.

Not during the battle for Sheffield, of course— that had been a disaster, a breakdown of diplomacy, the failure of everything Art had been trying to do— a miserable few days, in fact, during which he had run around sleeplessly trying to meet with every group he thought might help defuse the crisis, and always with the feeling that it was somehow his fault, that if he had done things right it would not have happened. The fight went right to the brink of torching Mars, as in 2061; for a few hours on the afternoon of the Red assault, it had teetered.

But fallen back. Something— diplomacy, or the realities of battle (a defensive victory for those on the cable), common sense, sheer chance— something had tipped things back from the edge.

And with that nightmare interval past, people had returned to east Pavonis in a thoughtful mood. The consequences of failure had been made clear. They needed to agree on a plan. Many of the radical Reds were dead, or escaped into the outback, and the moderate Reds left in east Pavonis, while angry, were at least there. It was a very uncomfortable and uncertain period. But there they were.

So once again Art began flogging the idea of a constitutional congress. He ran around under the big tent through warrens of industrial warehouses and storage zones and concrete dormitories, down broad streets crowded with a museum’s worth of heavy vehicles, and everywhere he urged the same thing: constitution. He talked to Nadia, Nirgal, Jackie, Zeyk, Maya, Peter, Ariadne, Rashid, Tariki, Nanao, Sung, and H.

X. Borazjani. He talked to Vlad and Ursula and Marina, and to the Coyote. He talked to a few-score young natives he had never met before, all major players in the recent unrest; there were so many of them it began to seem like a textbook demonstration of the polycephalous nature of mass social movements. And to every head of this new hydra Art made the same case: “A constitution would legitimate us to Earth, and it would give us a framework for settling disputes among ourselves. And we’re all gathered here, we could start right away. Some people have plans ready to look at.” And with the events of the past week fresh in their minds, people would nod and say “Maybe so,” and wander off thinking about it.

Art called up William Fort and told him what he was doing, and got an answer back later the same day. The old man was at a new refugee town in Costa Rica, looking just as distracted as always. “Sounds good,” he said. And after that Praxis people were checking with Art daily to see what they could do to help organize things. Art became busier than he had ever been, doing what the Japanese there called nema-washi, the preparations for an event: starting strategy sessions for an organizing group, revisiting everyone he had spoken to before, trying, in effect, to talk to every individual on Pavonis Mons. “The John Boone method,” Coyote commented with his cracked laugh. “Good luck!”

Sax, packing his few belongings for the diplomatic mission to Earth, said, “You should invite the, the United Nations.”

Sax’s adventure in the storm had knocked him back a bit; he tended to stare around at things, as if stunned by a blow to the head. Art said gently, “Sax, we just went to a lot of trouble to kick their butts off this planet.”

“Yes,” Sax said, staring at the ceiling. “But now co-opt them.”

“Co-opt the UN!” Art considered it. Co-opt the United Nations: it had a certain ring to it. It would be a challenge, diplomatically speaking.

• • •

Just before the ambassadors left for Earth, Nirgal came by the Praxis offices to say good-bye. Embracing his young friend, Art was seized with a sudden irrational fear. Off to Earth!

Nirgal was as blithe as ever, his dark brown eyes alight with anticipation. After saying good-bye to the others in the outer office, he sat with Art in an empty corner room of the warehouse.

“Are you sure you want to do this?” Art asked.

“Very sure. I want to see Earth.”

Art waggled a hand, uncertain what to say.

“Besides,” Nirgal added, “someone has to go down there and show them who we are.”

“None better for that than you, my friend. But you’ll have to watch out for the metanats. Who knows what they’ll be up to. And for bad food— those areas affected by the flood are sure to have problems with sanitation. And disease vectors. And you’ll have to be careful about sunstroke, you’ll be very susceptible—”

Jackie Boone walked in. Art stopped his travel advisory; Nirgal was no longer listening in any case, but watching Jackie with a suddenly blank expression, as if he had put on a Nirgal mask. And of course no mask could do justice to Nirgal, because the mobility of his face was its essential characteristic; so he did not look like himself at all.

Jackie, of course, saw this instantly. Shut off from her old partner . . . naturally she glared at him. Something had gone awry, Art saw. Both of them had forgotten Art, who would have slipped out of the room if he could have, feeling like he was holding a lightning rod in a storm. But Jackie was still standing in the doorway, and Art did not care to disturb her at that moment.

“So you’re leaving us,” she said to Nirgal.

“It’s just a visit.”

“But why? Why now? Earth means nothing to us now.”

“It’s where we came from.”

“It is not. We came from Zygote.”

Nirgal shook his head. “Earth is the home planet. We’re an extension of it, here. We have to deal with it.”

Jackie waved a hand in disgust, or bafflement: “You’re leaving just when you’re needed here the most!”

“Think of it as an opportunity.”

“I will,” she snapped. He had made her angry. “And you won’t like it.”

“But you’ll have what you want.”

Fiercely she said, “You don’t know what I want!”

The hair on the back of Art’s neck had raised; lightning was about to strike. He would have said he was an eavesdropper by nature, almost a voyeur in fact; but standing right there in the room was not the same, and he found now there were some things he did not care to witness. He cleared his throat. The other two were startled by his noise. With a waggle of the hand he sidled past Jackie and out the door. Behind him the voices went on— bitter, accusatory, filled with pain and baffled fury.

• • •

Coyote stared gravely out the windshield as he drove the ambassadors to Earth south to the elevator, with Art sitting beside him. They rolled slowly through the battered neighborhoods that bordered the Socket, in the southwest part of Sheffield where the streets had been designed to handle enormous freight-container gantries, so that things had an ominous Speeresque quality to them, inhuman and gigantic. Sax was explaining once again to Coyote that the trip to Earth would not remove the travelers from the constitutional congress, that they would contribute by vid, that they would not end up like Thomas Jefferson in Paris, missing the whole thing. “We’ll be on Pavonis,” Sax said, “in all the senses that matter.”

“Then everyone will be on Pavonis,” Coyote said ominously. He didn’t like this trip to Earth for Sax and Maya and Michel and Nirgal; he didn’t seem to like the constitutional congress; nothing these days pleased him, he was jumpy, uneasy, irritable. “We’re not out of the woods yet,” he would mutter, “you mark my words.”

Then the Socket stood before them, the cable emerging black and glossy from the great mass of concrete, like a harpoon plunged into Mars by Earthly powers, holding it fast. After identifying themselves the travelers drove right into the complex, down a big straight passageway to the enormous chamber at the center, where the cable came down through the socket’s collar, and hovered over a network of pistes crisscrossing the floor. The cable was so exquisitely balanced in its orbit that it never touched Mars at all, but merely hung there with its ten-meter diameter end floating in the middle of the room, the collar in the roof doing no more than stabilizing it; for the rest, its positioning was up to the rockets installed up and down the cable, and, more importantly, to the balance between centrifugal force and gravity which kept it in its areosynchronous orbit.

A row of elevator cars floated in the air like the cable itself, though for a different reason, as they were electromagnetically suspended. One of them levitated over a piste to the cable, and latched onto the track inlaid in the cable’s west side, and rose up soundlessly through a valve door in the collar.

The travelers and their escorts got out of their car. Nirgal was withdrawn, already on his way; Maya and Michel excited; Sax his usual self. One by one they hugged Art and Coyote, stretching up to Art, leaning down to Desmond. For a time they all talked at once, staring at each other, trying to comprehend the moment; it was just a trip, but it felt like more than that. Then the four travelers crossed the floor, and disappeared into a jetway leading up into the next elevator car.

After that Coyote and Art stood there, and watched the car float over to the cable and rise through the valve door and disappear. Coyote’s asymmetrical face clenched into a most uncharacteristic expression of worry, even fear. That was his son, of course, and three of his closest friends, going to a very dangerous place. Well, it was just Earth; but it felt dangerous, Art had to admit. “They’ll be okay,” Art said, giving the little man a squeeze on the shoulder. “They’ll be stars down there. It’ll go fine.” No doubt true. In fact he felt better himself at his own reassurances. It was the home planet, after all. Humans were made for it. They would be fine. It was the home planet. But still. . . .